Thursday, October 2, 2014

More myths and realities

   The more we paint, the more we see, and the more tools we add to our tool-belt. That should be a positive, but sometimes we don't see enough and sometimes we see too much. As our abilities increase, so should our expectations. I do not view painting as merely a craft - as something to be mastered. Painting is part of a journey of exploration and one of our most powerful tools is intent. Without intent all the skill in the world is merely craft. Intent can be the driving force that moves us forward and allows us to take risks and explore our perceptions of boundaries. If you want to learn to paint, you need to paint - and paint a lot. If you want to create, you need to be able to take risks and accept that not all paintings are created equally. One of our biggest myths is that this is all about skill - a craft to be mastered after long and arduous study - and once you have mastered the skill and learned the tricks, you will paint beautiful paintings forever and ever. The reality is even great artists struggled with their quest for exploration.

Claude Monet once wrote, "I'm hard at it, working stubbornly on a series of different effects (grain stacks), but at this time of the year the sun sets so fast that it's impossible to keep up with it . . . I'm getting so slow at my work it makes me despair, but the further I get, the more I see that a lot of work has to be done in order to render what I'm looking for: instaneity, the envelope, above all, the same light spread over everything, and more than ever I'm disgusted by easy things that come in one go."

Art Chats with Linda Fisler: The Myths and Realities of Creating a Painting with Carolyn Anderson

AMO Art Chat: Mastering Edges with Carolyn Anderson

1 comment:

  1. Huge fan...thoroughly enjoying your blog posts and all your interviews too. I study your painting "Girl with Pigtails" at mentor Jim Richards every chance I get. Keep 'em coming!